As you can see from the last photo, I've got my stitch party hat on, ready for this new year. I've started to pin silk strips together, along with a little cotton. And the moon is a blue moon tonight and seemed to dance amongst the clouds, getting lost in them most of the time. Happy New Year to everyone who is reading this!
In the darkest days of winter when even the moon feels cold and the sun is eager to absorb the new year's warm tiger fire, the Winter Bear dreams of holding all living things in her great belly, protecting them from harm as she slumbers and waits ...
Here are a few more photos of the hand stitched piece I have nearly completed. I've run out of the colour of embroidery thread I need and I wasn't about to brave the stores on Boxing Day! 2010 is the year of the tiger and I used a piece of prayer flag which had the outlines of a tiger on it as an approximate guide to stitch one. I say 'approximate' because it's so small it was hard to tell what was what. Then yesterday when I was listening to a book, I nodded off for a paragraph or so and found myself dreaming of stitching triangular rays just inside the velvet circle. This morning I added them in - I guess this planet is the sun, and the tiger essence will be the fire, as otherwise, it's pretty dark.
Here are a few more close-ups of the handstitched linen, cotton, velvet and silk piece I'm working on. I'm enjoying how its coming to life and surprising me with what wants to emerge. In the top photo, I selected the fabric thinking of the glints of the moon on the sea and the stitch meanders like the wake it casts over the water... Only my moon is becoming a panda! But another moon has emerged from its dark velvet sky, so all is well. I've also been thinking about how drawn I am to go in two seemingly opposite directions - one being abstract machine pieced large art quilts and the other small detailed handstitched works. Each type can unfold in the intuitive way I like to work, imbued with personal meaning, yet have a very different quality and feeling, and the phrase that comes to mind is 'equal opposites'. And a panda is both black and white... So I'm steeping these dreams to refine my fibre art focus and I have written a poem about the meaning of this time of year for me:
We had our first dusting of snow this morning and that fit the mood of the hand stitched piece I have been creating, which is centered around a winter moon. Both of the photos show a part of the whole. For me, this time of the year holds both a slowing down to reflect and a rising culmination of celebration. I've been thinking about how I like to work by following my intuition and it occurred to me that this is why I generally start playing with the materials without pre-planning or making sketches. If I wanted to replicate or capture the essence of let's say a pinecone - then I might explore photos of them, examine actual cones or draw one. But what I'm after is what I don't yet know - I want to be surprised by what emerges, not have a plan. This takes alot of trust and being with the pleasure of the process, rather then being invested in an outcome. Also at this time of the year, I begin to think about what I might like to focus on for the year ahead - a rough plan that is not meant to limit my creating, but to deepen with it and keep it alive. So there's a kind of tension between staying with what wants to emerge and also having a larger vision. I notice how many aspects of fibre art interest me - dyeing, felting, piecing, handstitch, etc. - and I think switching between them is enlivening. I also think of how, if I limited myself, I might explore deeper aspects of one or a few techniques, which may offer greater growth. I don't have answers for now and that's okay, because I trust they will arrive - like the dormant seeds waiting in the dark underground that will one day greet the sun .
I've completed this quilt now, except for a sleeve. The bottom photo shows how I've quilted it like a tree, with vertical lines for the trunk (bottom left), branches reaching out on either side and the candle at the top radiating gold thread outward. The piecing also looks loosely like an abstract tree.
This morning the sunlight made a patchwork on the stairs. I'd been thinking about making something with winter fabric using a positive/negative approach and the idea of a candle shape to signify the light that is extra precious at this time of year, came to mind. I drew one and made a template which I traced onto fused fabric and then cut it out to end up with a positive candle shape and a negative candle outline. I fused the outline onto the red/green/white fabric and then decided it would become a potholder, so I fused that onto the green/gold fabric and sewed it together, adding zigzag quilting with variegated metallic thread around the candle outline, but it doesn't show up as well as I expected it to. With each project, I learn something new. If I were to make this potholder again, I would also only use fusible once, because the hand of the fabric is quite changed - although with a potholder, a little extra body won't matter much. Another thing I didn't foresee was how the fabric underneath the white one shows through. I had planned to use the positive candle shape for my next potholder, but decided I didn't want to hide any of the red/green/white fabric, as I like it. In my eagerness to sew, I forgot to sandwich in the bit of trim for a hanger, so I sewed it onto the potholder top afterwards and covered the ends with a button - after quilting it first, which you can see in the close-up of the back. 
I've completed making this felted sweater into to a bag, now. The flap has a magnetic catch, so the button on it is just decorative - much easier to open and close. I decided to line it as well, and chose two colours of rich looking velvet from the recent samples I was given, which does make the bag heavier, but I love the feel when I reach in.
